The Snark is to be sailed. There will be a gasolene engine on board, but it will be used only in case of emergency, such as in bad water among reefs and shoals, where a sudden calm in a swift current leaves a sailing-boat helpless. The rig of the Snark is to be what is called the “ketch.” The ketch rig is a compromise between the yawl and the schooner. Of late years the yawl rig has proved the best for cruising. The ketch retains the cruising virtues of the yawl, and in addition manages to embrace a few of the sailing virtues of the schooner. The foregoing must be taken with a pinch of salt. It is all theory in my head. I’ve never sailed a ketch, nor even seen one. The theory commends itself to me. Wait till I get out on the ocean, then I’ll be able to tell more about the cruising and sailing qualities of the ketch. Charmian and I looked at each other. The exhilaration of the ride we had taken was still upon us. Forgotten were the letters to Raiatea, the officials we had to visit. Shoes, a shirt, a pair of trousers, cigarettes, matches, and a book to read were hastily crammed into a biscuit tin and wrapped in a rubber blanket, and we were over the side and into the canoe.!

Girls and boys, the former on the right, the latter on the left-hand side of the church, filled the stalls of the choir; the priest stood beside the reading-desk; on one stained window of the side-aisle the Holy Ghost hovered over the Virgin; on another one, Mary knelt before the Child Jesus, and behind the altar, a wooden group represented Saint Michael felling the dragon. “Bimeby God He scratch ’m head belong Him too much, and speak: ‘Me fella me savvee, him fella Adam him want ’m Mary.’ So He make Adam he go asleep, He take one fella bone belong him, and He make ’m one fella Mary along bone. He call him this fella Mary, Eve. He give ’m this fella Eve along Adam, and He speak along him fella Adam: ‘Close up altogether along this fella garden belong you two fella. One fella tree he tambo (taboo) along you altogether. This fella tree belong apple.’

The days passed, but the abundance did not diminish. On the day of departure, canoe after canoe put off to us. Tehei brought cucumbers and a young papaia tree burdened with splendid fruit. Also, for me he brought a tiny, double canoe with fishing apparatus complete. Further, he brought fruits and vegetables with the same lavishness as at Tahaa. Bihaura brought various special presents for Charmian, such as silk-cotton pillows, fans, and fancy mats. The whole population brought fruits, flowers, and chickens. And Bihaura added a live sucking pig. Natives whom I did not remember ever having seen before strayed over the rail and presented me with such things as fish-poles, fish-lines, and fish-hooks carved from pearl-shell. And suddenly, out there where a big smoker lifts skyward, rising like a sea-god from out of the welter of spume and churning white, on the giddy, toppling, overhanging and downfalling, precarious crest appears the dark head of a man. Swiftly he rises through the rushing white. His black shoulders, his chest, his loins, his limbs—all is abruptly projected on one’s vision. Where but the moment before was only the wide desolation and invincible roar, is now a man, erect, full-statured, not struggling frantically in that wild movement, not buried and crushed and buffeted by those mighty monsters, but standing above them all, calm and superb, poised on the giddy summit, his feet buried in the churning foam, the salt smoke rising to his knees, and all the rest of him in the free air and flashing sunlight, and he is flying through the air, flying forward, flying fast as the surge on which he stands. He is a Mercury—a brown Mercury. His heels are winged, and in them is the swiftness of the sea. In truth, from out of the sea he has leaped upon the back of the sea, and he is riding the sea that roars and bellows and cannot shake him from its back. But no frantic outreaching and balancing is his. He is impassive, motionless as a statue carved suddenly by some miracle out of the sea’s depth from which he rose. And straight on toward shore he flies on his winged heels and the white crest of the breaker. There is a wild burst of foam, a long tumultuous rushing sound as the breaker falls futile and spent on the beach at your feet; and there, at your feet steps calmly ashore a Kanaka, burnt, golden and brown by the tropic sun. Several minutes ago he was a speck a quarter of a mile away. He has “bitted the bull-mouthed breaker” and ridden it in, and the pride in the feat shows in the carriage of his magnificent body as he glances for a moment carelessly at you who sit in the shade of the shore. He is a Kanaka—and more, he is a man, a member of the kingly species that has mastered matter and the brutes and lorded it over creation. All the foregoing is by way of preamble to the statement that the horrors of Molokai, as they have been painted in the past, do not exist. The Settlement has been written up repeatedly by sensationalists, and usually by sensationalists who have never laid eyes on it. Of course, leprosy is leprosy, and it is a terrible thing; but so much that is lurid has been written about Molokai that neither the lepers, nor those who devote their lives to them, have received a fair deal. Here is a case in point. A newspaper writer, who, of course, had never been near the Settlement, vividly described Superintendent McVeigh, crouching in a grass hut and being besieged nightly by starving lepers on their knees, wailing for food. This hair-raising account was copied by the press all over the United States and was the cause of many indignant and protesting editorials. Well, I lived and slept for five days in Mr. McVeigh’s “grass hut” (which was a comfortable wooden cottage, by the way; and there isn’t a grass house in the whole Settlement), and I heard the lepers wailing for food—only the wailing was peculiarly harmonious and rhythmic, and it was accompanied by the music of stringed instruments, violins, guitars, ukuleles, and banjos. Also, the wailing was of various sorts. The leper brass band wailed, and two singing societies wailed, and lastly a quintet of excellent voices wailed. So much for a lie that should never have been printed. The wailing was the serenade which the glee clubs always give Mr. McVeigh when he returns from a trip to Honolulu.